There's been a lot of talk about literary prizes and prize culture of late, including this thought-provoking article in Maclean's about the intersection between awards and political literature. In it, Brian Bethune gives an interesting take on the difference between the Giller and the Writers' Trust Awards: "The Rogers Writers’ Trust Fiction Prize is the most sensitive to change of Canada’s three major literary awards, and its juries are more likely to be staffed by writers still early in their careers. It’s always been the most predictive in the sense that authors are more likely to win the WT and then go on to the Giller than the reverse."
The Boat People gets a passing mention as one to watch for in 2018, with Bethune wondering how, in the tumultuous present moment, readers and authors will respond to new fiction that is politically charged. The truth is that I never set out to write about politics. To me, The Boat People is about a man who is trying, against all odds, to survive, to secure salvation for his son. At its heart, I think every novel is like this - a coming-of-age tale, a survival narrative, a love story. We are all writing variations on Hamlet and Cinderella and the Odyssey. The politics is incidental.