Winners

Congratulations: Shashi, Greg, Alicia, Liz, Philip, Jason, Aviva, Rowan, Sofia, Jess, Iryn, and Carly! Look at these stars, the long listed authors whose stories will appear in the Journey Prize 30.

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Congratulations to: The Dalhousie Review, Pulp Literature (x2), The New Quarterly (x2), Event, The Malahat Review, Prism International, PrairieFire, This Magazine (x2), and the CVC Anthology Series (x2).

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Zoey, Kerry, and I judged the stories blind meaning it was only after the decisions were made that we got to see the authors' names and the publications that had put their stories forward. After all our debates and nit picking over theme and character and form, all these particulars that were, at the time, divorced from our knowledge of the writers themselves, the big reveal was a joyous experience. There were many exclamations, especially when we learned that one writer and one publication had made the list twice (Greg if you are reading this, we all agreed that Pulp should give you a free subscription for life).

I've adjudicated a few short story competitions now but I've never been prouder to see a list of winners. Yeah. Winners. Listen. It was A FEAT for these writers to get on the long list. First, they had to write a story (difficult enough!). Then they had to find the story a home (you can imagine all the rejection along the way). Then the publications had to decide that out of all the stories published that year, their particular story was the one to put forward. And then the story came to us, the jury.

Zoey, Kerry, and I are tough customers and there were many wonderful stories that did not make the cut (some that I still recall with great admiration). So yes, once again, congrats to the winners:

Alicia, Aviva, Carly, Greg, Iryn, Jason, Jess, Liz, Philip, Rowan, Sashi, and Sofia.

Jury duty

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The Journey Prize - Canada's biggest and most lucrative annual short story award - turns 30 this year and I was fortunate enough to be on the jury along with authors (and all around wonderful human beings) Kerry Clare and Zoey Leigh Peterson. The long-listed authors and their stories will be announced on Tuesday, August 7th. Watch this space.

How the award works

In January/ February, magazines and publications choose up to three of the best stories by emerging authors that they published in the previous year. The stories are sent to McClelland & Stewart who administer the award (not to be confused with the Writer's Trust of Canada who give the award out and are responsible for the hoopla surrounding the ceremony). It's actually my Canadian editor Anita Chong and assistant editor Joe Lee who do much of the thankless, painstaking, administrative work. They are stars.

M&S hires the jury and we all read every single one of the stories. And then we the jury discuss and debate and re-read and re-consider and eventually we narrow it down to the long-list, all of which are published in the Journey Prize anthology. I'm so pleased for these authors because I know what it means to make the anthology. And it's a gold star for the publications that nominated them too. Let's take a moment to tip our hats to those magazines and literary journals - staffed mostly by volunteers working long hours on shoestring budgets. They are the corner stone of Canadian literature, the first rung on the ladder and their existence makes so many of our careers possible.

This year's jury

I lucked out with my fellow jurors. Kerry Clare (who has written about her Journey Prize experience here) and Zoey Leigh Peterson are careful readers and came to the job with a spirit of openness that made healthy and respectful discussion and debate possible. We listened to each other. We kept open minds. None of us assumed we knew better. We gave the job the respect and attention it deserved and were willing to re-read. Over and over and over. The things Kerry and Zoey taught me about reading, are lessons I carry with me today. They have made me a more thoughtful reader and probably a better writer. And I'm proud of the anthology we curated. Journey Prize 30. It's a stunner.

Politics and the prize

There's been a lot of talk about literary prizes and prize culture of late, including this thought-provoking article in Maclean's about the intersection between awards and political literature. In it, Brian Bethune gives an interesting take on the difference between the Giller and the Writers' Trust Awards: "The Rogers Writers’ Trust Fiction Prize is the most sensitive to change of Canada’s three major literary awards, and its juries are more likely to be staffed by writers still early in their careers. It’s always been the most predictive in the sense that authors are more likely to win the WT and then go on to the Giller than the reverse."

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The Boat People gets a passing mention as one to watch for in 2018, with Bethune wondering how, in the tumultuous present moment, readers and authors will respond to new fiction that is politically charged. The truth is that I never set out to write about politics. To me, The Boat People is about a man who is trying, against all odds, to survive, to secure salvation for his son. At its heart, I think every novel is like this - a coming-of-age tale, a survival narrative, a love story. We are all writing variations on Hamlet and Cinderella and the Odyssey. The politics is incidental.