In praise of editors, again!

It never ceases to amaze me how little credit is given to book editors. I've already sung their praises on this blog but really and truly, they are the secret heroes of literature. Whenever I finish a book, I flip to the back to check out who the editor is. In fact, the other day, I was at the shop, considering whether or not to buy a new novel. Then I peaked at the acknowledgements, saw the editor was Iris Tulpholme, and went straight to the check out. The book, by the way, is The Storm by Arif Anwar. I read it and loved it. Iris did not let me down.

The Storm skillfully weaves various narratives together all the while keeping a firm grip on a true protagonist. There is a mystery at the centre that is solved at the end, but the threads of the story remained untied. It is not an anodyne happily ever after. It is a "they lived ever after" and what happens next is up to the reader to decide. I've been thinking a lot about plot lately (with regards to my new novel) and this book has given me something to chew on.

A couple of weekends ago I also read (gobbled up, more like) Zoey Leigh Peterson's Next Year For Sure. Billed as a story of polyamory, it's really so much more. It's the vivisection of a relationship and an exploration into loneliness, early adulthood ennui, friendship, and the fuzzy line of betrayal. Although it is a very, very different book, it reminded me of Fates and Furies by Lauren Groff. I couldn't look away even as the novel made me deeply uncomfortable. That's the hallmark of a great book. Plus, the dialogue was wondrous. More and more I find myself appreciating exceptional dialogue (Elisabeth de Mariaffi's Hysteria, edited by Iris Tulpholme, is another example of a book with sublime dialogue) Zoey eschews quotation marks and the result is that the line between interior thought and exterior speech is open to interpretation. If you are an intelligent reader who doesn't want to be spoon-fed, but who wants to be surprised and delighted by beautiful prose and new insights, this is a book for you. The Canadian editor, by the way, is Kiara Kent.

Jen Knoch, senior editor at ECW wrote two illuminating columns over at Open Book on the editorial process and what to expect when you're expecting to work with an editor on a new book.

THE NEW YORKER!

The Boat People got a nice little review in the March 19th issue of THE NEW YORKER. The mention is in the briefly noted books section alongside new releases by Peter Carey and Henry Louis Gates, Jr. THE NEW YORKER. I mean...what else is there to say?

Also this week: the novel is back on the best-seller lists (#2 on the CBC and #7 on the Globe & Mail). And I'm still loving the messages and cards and texts and emails from friends (and strangers). My favourite at the moment is a note from my pal Jess in PEI who, among other things, wrote: "I am endlessly impressed. I literally turn every page and think to myself: holy fuck." I love and appreciate all the blurbs on my book but there's something hilarious and arresting about the reviews from non-writers.

If you are in Quebec City this Thursday, March 15, there is a Canada Reads event taking place at The Morrin Centre at 7pm. I won't be there but author Neil Bissoondath will be talking about my book. You can hear a little teaser and his thoughts during an interview with CBC Radio's Breakaway host Saroja Coelho here. And if you can't make the event, parts of it will be aired on Breakaway next week. I'll post a link when it's online. (I feel like I say this often about links and then never get around to posting them. I'm working on it. A link round up of some sort is coming. Promise!)

And finally, recommended reads! Here is a short story that I loved and listened to three times last week. It's Antonya Nelson's "Naked Ladies" read by Lorrie Moore. I also just devoured Elisabeth de Mariaffi's latest novel HysteriaIt's a thriller set in the 50s. That's really all you need to know. And I'm nearing the end of Madeleine Thien's Do Not Say We Have Nothing, which of course I'm the last person in this country to read. It's beautiful and I'm totally stuck in, wanting to know what happens next.