Sense of an ending IV

On the subject of endings once again, here is some wisdom from writer Ethan Canin who believes our job, as writers, through the course of the story, is to engage the reader so fully and deeply that emotion overwhelms intellect and the reader is carried along: "At the end of a story or novel, you do not want the reader thinking. Endings are about emotion, and logic is emotion's enemy." The idea is the ending should make the reader think about all that has come before and he draws a parallel with films that end with a camera tilt up to the sky. Canin is musing here, more than providing concrete advice perhaps but his thoughts are illuminating, nonetheless. Read the whole exchange with him over at The Atlantic.

 

 

 

Sense of an ending III

I'm always, always, looking for writing advice. Is this because I haven't got an MFA? Or because I'm a master procrastinator? Both? Either way, I recently found these gems from an old interview with Lorrie Moore.

...the ending of a short story spins and looks back over the short story and so it’s more retrospective in a way.
— Lorrie Moore

Have a look at her thoughts on endings. I'm obsessed with endings which, in my experience, are either instinctive and automatic or impossible roadblocks that stall everything. I always knew how my novel would end; I even had an epilogue in mind which I decided not to write because it would be superfluous. But short stories are hit/ miss and lately I've taken to not committing a word to the page until I have a sense of the ending. (Though this might be a habit I need to break this year)

So I'm always on the look out for easy tricks and here's one from Lorrie Moore: take something from the middle of the story and move it, out of order, to the end.