Toast is not exotic
As a rule, in my writing, I never italicize non-English words. At first, this wasn’t a conscious decision. It was just common sense. Italics indicate emphasis. And if a story is from the point of view of a Spanish-speaking character, say, then words like hijo and lo siento and hola would have no particular emphasis in the character’s mind.
When my short stories were published, editors sometimes italicized the non-English words. To be honest, I didn’t notice. Probably no one asked my permission. Or maybe they did and I was too green around the gills to know better or refuse.
But after The Boat People came out, a reader asked how I’d convinced the editors not to italicize the Tamil words. And that stopped me short. Because the fact is - bless my editors - it never came up. Speaking with other writers, hearing them tell their stories about fighting their editors on this very thing I’d taken for granted, I became more aware of the italics. And now, as a reader, seeing italics used inappropriately sets my teeth on edge. Imagine a dishevelled preacher ranting in the dessert. That’s me. AUTHORS! EDITORS! DO NOT ITALICIZE NON-ENGLISH WORDS. CEASE AND DESIST.
Let’s say a story is written from the perspective of a character called John. If John is having toast for breakfast, would you italicize toast? No, you would not. Because it looks idiotic. Italics around non-English words seem to telegraph the message: “hey! look! here is something exotic!” Which…come on now, since when is warmed up Wonder bread exotic? We’re agreed here, right? So please let us extend the same courtesy to a character called Mahindan who is eating appam. Let him finish his meal in un-italicized peace.
The mistake editors and publishers and yes, sometimes writers, make when they italicize non-English words is to temporarily lose sight of their craft (and also, I’d argue, their own common sense). They lose sight of the character and the story’s point-of-view and pander to the reader.
Why is the reader at the centre of the story instead of the character? And also, who is this imagined reader exactly? More on them next week. Meantime, here are some other, entirely different, thoughts on toast.