Recently, on CBC’s Commotion podcast. there was a dishy chat about blurbs. It’s worth a listen if you’re an aspiring author or have a first book deal or are curious about what it means to get a more established author or Barack Obama to say one nice word* that can be printed on your cover.

Most of us need blurbs but the relationship is fraught. It’s amazing to receive any sort of advance praise, especially when you’re deep in your feelings in that final stretch right before a new book comes out. But blurbs require hours of free labour. And the galling part is it’s impossible to do the (unpaid) job without toppling into cliche hell. To wit…

“A confident and lyrical debut penned by an author of uncommon talent.” (for Heather Nolan’s This is Agatha Falling)

“A vivacious debut from an author to watch” (for Jamaluddin Aram’s Nothing Good Happens in Wazirabad on a Wednesday)

“Clever and insightful, this book is a sheer delight.” (for Kerry Clare’s Waiting for a Star to Fall)

“A masterful collection, written with so much veracity, you’ll swear every word is true.” (for Souvankham Thammavongsa’s How to Pronounce Knife)

I once wrote “laugh-out-loud funny” in a blurb and was asked to please find a synonym because all the book’s endorsements included the same banality. In our collective defense: Shashi Bhat’s The Most Precious Substance On Earth is very funny and did make me guffaw.

Okay, so here’s a secret: I’m 95% more likely to consider a blurb request if it comes from a third party - agent, editor, publisher, publicist etc - instead of the author. I say no a lot more often than I say yes and the whole proposition is less fraught if it goes through a middleman.

But here’s the other thing: there’s more than one way to champion a book. I talk about books, write about books, recommend books to friends and family and clients and students. Whenever I lead a workshop, I pull passages from at least three or four authors. Just because I say no to a blurb, doesn’t mean I won’t find another way to be a cheerleader for the book.

*My favourite blurb always and forever is the one Obama gave Colson Whitehead’s Underground Railroad: “terrific!”

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